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Dual mono compressor with vari-mu ratio curve
Original price was: 14 995,00kr.11 995,00krCurrent price is: 11 995,00kr.
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To make the T-Komp more useful it has two ratio ranges. The first one goes up to 20:1, perfect for instrument tracking and smashing drums etc., the second, 2:1, is a more narrow range which makes it more suitable for bus compression.
The T-Komp can be selected between feed-forward mode for a punchy, modern response or feed-back mode with a smoother, more musical response.
The RMS detector has five settings, four from fast to slow where number four, the slowest, is similar to the old 160VU. The fifth position is a program dependent adaptive mode.
T-Komp R panel overview
Threshold
Make-up gain: 0 to +20dB
Blend control: from dry to wet
Average timing:
1. 1mS / 40mS (most useful for peak limiting)
2. 5mS / 200mS
3. 10mS / 400mS
4. 25mS / 1000mS (similare to the old 160vu)
5. Adaptive mode. To prevent unnecessary low frequency distortion the
circuit acts slower for slow moving signals and faster for fast moving signals
The attack and release are locked in relationship to each other
FB: selects feed-back mode
HP filter: 150Hz, -6dB octave
In: compression in/out
2:1: selects a more narrow ratio range
Gain reduction meter
Link switch
115v or 230v, selectable
Specifications and components may be changed or updated without further notice.
Input impedance: 24kohm
Output impedance: 50ohm
Max in/output level: +26dBu
Frequency response: 20Hz to 20kHz +/- 0,1dB
Signal to noise ratio @ 0dBu: better than 94dB
THD: level and compression dependent, mostly even harmonics
I’ve needed the exact piece for years! I thought The Transceiver I was perfect until I got the Transceiver 2!
The Blend knob is incredibly useful when using stomp box compressors and distortion pedals.
The M/S Station unlocks the full potential of my vintage TAB W395a EQs for mastering. Being able to use these in mid/side and blended in to taste is fantastic! As if that wasn’t enough, the elliptical EQ section sounds great, and the stereo width control is handy if adjustments are needed after the previous M/S processing
I’ve been using TK Audio’s mic pres and compressors for years on every recording I’ve made. The new DP3 will be no exception.
